It’s halfway into the first week of NaNo, and even though I’m only half-participating this year (editing and overhauling my MS), I thought I’d do a blog post on writing. More specifically, on killing the cat.
I know, I know, everybody likes cats. LOL or Grumpy or big or small, everybody likes them. The Egyptians worshipped them, and all.
But guys, the cat must die.
Have you noticed how lately at the movies—especially the big, blockbuster type movies—that while you may enjoy it for the various jokes or shenanigans, overall the plot just leaves you kind of.. eh?
Like, you’ve seen that movie before, and you already know who’s going to come out on top of every scene before it happens?
I have to say, I have felt a lot of this. I went with my family to see Pacific Rim on opening night, and don’t get me wrong, I loved that movie. It is fun, fun, fun, especially if you’re a fan of Guillermo del Toro’s other work. (Which you should be!)
But we went to the midnight showing—or maybe 10 pm showing—and I was tired. For the first time since I was a kid, I fell asleep in the movie theater. But when I told my husband and my brother that, they laughed at me, because I fell asleep during the fight scenes.
Ridiculous, right? That’s where the action is!
I knew exactly how each of those battles was going to go as soon as they started. Sometimes I’d rouse myself mid-battle and nod and let myself close my eyes for another minute, because the fight was following the pattern I was expecting and so I didn’t really need to be paying attention. Somehow my subconscious knew that, and knew when I did need to pay attention—like looking just in time to see the Newton’s Cradle bit.
Everything new and wonderful about that movie was the jokes and the effects and the character back story that leaked out bit by bit. Which yes, I admit, still made for a fun movie. But the plot turns did not do anything like surprise me. This is the same reason why so many people were bored with Iron Man 3 and why it’s only been the recent, funny Thor commercials that have gotten you excited (that’s not just me, right?).
The culprit behind all of this is the widely-hailed book on screenwriting (that has been used to inspire lots of book-writing, too), Save the Cat, by Blake Snyder. The book is subtitled “The Last Book on Screenwriting You’ll Ever Need,” and gives pointers on exactly (in the terms of screenwriting, down to the minute) plot points and downturns and… well, everything you need for a plot, needs to go.
And this is great. It really has helped a LOT of people write books. Or movies. Or whatever.
But it also means that people, whether consciously or not, are getting used to the pattern, and getting bored of it.
This is why things like The Game of Thrones and The Walking Dead are so popular right now. Because they subvert the expectations that people have—no one is safe, and no one is immune. Anyone could die. And that keeps readers on their toes.
Now, I don’t have stories where people are dying all of the time, and most stories don’t. But the principals are the same.
So the gist of this post? Okay, take advice where you want to. But don’t follow the advice to the letter if that’s not what’s going to work for your story. Yes, stories need high and low points. Yes, your character needs upswings and downswings. But sometimes something out of left field is what is really going to be remembered. Sometimes, you have to kill the cat.