Random Ideas Folder

I’m sure most writers have one of these. A folder on their computer, or a notebook or something, that’s devoted to nothing else but random bits of ideas. Something that may or may not turn into books someday. Or at least short stories. Or scenes.

Lately I seem to have been adding more and more to my random ideas folder, opening a word document and writing a paragraph or two of a character that’s jumped into my mind or just an idea that’s hung around enough that I think, “Maybe that could work…”

I don’t know where these little ideas come from. I think part of it might be from writing shorts over at Tales From the Hollow Tree, and getting used to that. Part of it is undoubtedly from reading books and descriptions of books I want to read… Some of it is pure daydream. Some of it I know I’ll never, ever write. But some of it, maybe.

The most important thing about these little flashes of ideas? Is to write them down. If you don’t, they may disappear on the wind, and as Regina Spektor tells us in her fabulous song “Bon Idée,” “ideas that left will never come back home.”

Write it down. Put it somewhere where you can stumble across it again. When you do, it may hit you with entirely new and fresh meaning. You might see that scribbled half-sentence and suddenly see an entire novel surrounding it. It happens. Don’t short-sell yourself by letting them get away before they have the chance to develop into something.

Booking Through Thursday – Discoveries

Hey look, it’s actually Thursday!

There’s something wonderful about getting in on the ground floor of an author’s career–about being one of the first people to read and admire them, before they became famous best-sellers.

Which authors have you been lucky enough to discover at the very beginning of their careers?

And, if you’ve never had that chance, which author do you WISH you’d been able to discover at the very beginning?

I think the closest I can come to saying that I discovered someone on the “ground floor” is Brandon Mull, writer of the Fablehaven series, among others. I picked the first Fablehaven book up as an impulse buy at a Deseret Book (an LDS bookstore) down in San Diego, just a few months after it came out. Back then it was just a couple of copies on a very low shelf hidden in the back of the store in the kids’ section. Granted, these are kids’ books, but when the final Fablehaven book came out, it got its own table displays at Barnes & Noble. That’s a far cry from being hidden away on the second-to-bottom shelf in a cornered-off kid’s section.

The cover of the book got me to pick it up. I’ve heard some rumors that a green cover is death to a book for some reason, though I’ve never understood a word about that, but in this case it definitely caught my eye. The illustration on the cover did, as well. It wasn’t until after I finished the book that I understood what the cover illustration was supposed to be, and I’ll admit that the cover illustrations don’t do a whole lot for me… I either disregard half of the picture with some kind of mental-block, or I’m just not big on the cartoony appeal, but bygones.

The interesting title, gold lettering, and sparkly-ness of the cover was enough to get me to pick it up. I had been in the mood for something fantastical, and the Fable– part of the title gives away immediately that this was, even though I thought the character on the cover was creepy, and didn’t notice the colorful fairies on the cover for an embarrassingly long time. I flipped the book over and became EXTRA intrigued. In place of a carefully-worded pitch or a list of quotes was something made to look like a want ad torn from a newspaper.

If I’d had any doubt that this was going to be fantastical, the ad asking for a new caretaker “willing to perform emergency dental surgery on a fog giant” and listing knowledge of gnomish language as “a plus,” snagged my imagination from the get-go. I read the synopsis on the inside flaps of the paper cover (the book was in hardback) and decided I’d take a gamble on it. This isn’t usual for me—I like to pick up a book half a dozen times before I buy something, especially in hardcover, because I just don’t have the funds that often, but this seemed like a good day. Besides, something from found at Deseret Book can’t necessarily be found somewhere else. I was with my mom that day, and she had a membership card, which at the time still consisted of points (now you have to have a premium membership), and I think the book ended up being about free. Well, ish. You know.

The book was a slow go for me the first time I picked it up, but the second time I stuck to it, and by a couple of chapters in I was stuck. And thrilled. It was everything I’d been hoping for and more. Kendra and Seth are a VERY realistic pair of kids with a very realistic sister/brother relationship. The creatures they come across span from the amazingly beautiful to the grotesque and terrifying, but Mull does it in a way that is constantly uplifting. (Rather than being emotionally dark, like the Spiderwick Chronicles seems to be, based on the film, at least).

The books are by turn funny, scary, and downright cool. The kids make mistakes but learn from them in a very real way. And every book gets better and better. I just love this series, and I’m thrilled to know that so many people have come to love it also. It is very deserved. I’ve been passing on the excitement, fantasy and fun by word of mouth ever since. Just recently, my husband has finished reading the first book and started the second. He loves it, too.

I haven’t read any of Mull’s other works yet (except for the children’s book Pingo, which is adorable!) but I do own The Candy Shop Wars and am really looking forward to his Beyonders series, the first of which is due out next month. Woohoo!

Character Likeability

I have to start this post by making it clear that growing up, my family has never done anything less than support my writing. When I’ve let them… which means that I spent a lot of time as a kid scribbling in notebooks and not letting anybody read what I wrote—I don’t hold this against myself, as most of it really was awful, but bygones.

My family was always big on creativity. My mother is a master appliqué quilter, who evidence has shown can also draw amazingly and write beautifully. My siblings are all professional artists. Creativity was always going on somewhere in the Asanuma home. My own creativity has always been mainly focused on words, and like I said, my family (especially my mother) were always very supportive of me, even if my “art” wasn’t as flashy as the rest of the family’s, maybe.

That didn’t stop me from hiding it for years, though. I knew I still had a lot to learn, that most of what I was writing was just other peoples’ words reformatted, and mainly, I knew that someday I would be BETTER than that. I knew one day I would write words that moved people.

When I started working on my Secret Project, I knew that finally, finally I had something worth sharing with my family. I was still nervous, because the category I write—Young Adult—is something that neither my mom nor my sister (the two big readers in the family, the two I planned on sharing it with) are even remotely interested in, but I bit the bullet and did it anyhow. The one real response I got from their reading my first three chapters? That my character just wasn’t likeable enough.

I’ll admit, this goaded me a little bit. Partially because one big intention I had with this project was to take a character who was nothing (or at least felt like they were nothing) and build them up into something really and truly formidable—a leader, a hero. That’s not to say that I wanted my character to be unlikeable at the beginning of the book, but I wanted it very clear that life hadn’t been nice to her, and she wasn’t all that crazy about life, either. More than anything, she starts off the book unfulfilled, bored. But that didn’t have to mean she was boring.

I thought for a long time that maybe it was enough that I loved her. Well, me and maybe someone else in the story. (Hint, hint, nudge, nudge.) Looking back over my manuscript the past week, though, I started seeing just what my mom meant. My character had too many nettles, and not enough spark. Not enough visible spark, rather. The spark was always there, I just needed to be better able to convey it to my audience, earn that little bit of endearment that would make someone want to follow my character on this epic, character-building experience.

So I’m doing some revising. I’ll probably be talking about it a lot for the next little while, because there’s a lot of revising to be done. My character is beautiful and so is the world she lives in… I’ve just been depending far too much on my readers’ ability to climb inside my head to see it all. Can’t be doing that, Lisa.

What about you? Have you ever had someone tell you that your character just isn’t likeable enough? Or __________ enough? Or have you ever found a character lacking in something you were reading yourself? What makes a character likeable to you?

How to Train Your Dragon

I finally got to see How to Train Your Dragon a few days ago. Talk about a cute movie. I’ll admit, I’ve wanted to see this movie since I first heard about it, but things just kept getting in the way. To the point where I lost some of the desire to see it, almost. Almost.

The story is all about being yourself, and not being afraid of thinking differently from everyone around you. The main character is a scrawny kid named Hiccup, who is smaller and weaker than just about every other person in his village. His village of Vikings. In fact, his father is the chief (chief?) of the village.

His people are in constant battle with dragons. Dragons come, burn their homes and steal their livestock, so the Vikings are akin to fighting them—and killing them. As Hiccup tells you at the start of the film, you’re nobody if you don’t kill a dragon. Hiccup gets a chance to kill his own dragon, thanks to his invention that has let him bring one out of the sky, but he just can’t do it. Still, he’s injured the dragon’s tail, so now this fearsome dragon can’t fly.

Eventually Hiccup and the dragon become friends, and Hiccup helps the dragon learn how to fly again—which ends up leading to repercussions when his pet is found out.

In the end, Hiccup and his friends save the day and teach the older villagers how to think differently, so that they and the dragons can co-exist happily.

The movie does have a darker moment or two, both in terms of violence and also in emotional hits (Hiccup’s father basically disowns him at one point). Still, I don’t think it’s too harsh for younger audiences. And the dragons are so cute. So. Cute. I don’t know if this movie is likely to have a sequel or not, but I’d definitely watch it if there were one.

Book Review: Zerah’s Chosen by Isabelle Santiago

I managed to finish my first book of the year just about 45 minutes before February started. I was determined to have finished at least one book in January, so I spent as much time as I could today reading, and thoroughly enjoyed myself.

My first book for the 52 Books in 52 Weeks challenge (which at this point is already looking very questionable!) was Zerah’s Chosen by my good friend, Isabelle Santiago. It’s an ebook from Drollerie Press. I’m very lucky in that I’ve seen this story from very early stages, and I’ve had the privilege of fangirling about the characters directly with the author, but this was my first chance to sit and read through the book from beginning to end, and it was a definite treat.

Zerah is a rustic world, a world of common men, fishers, and prophets, ruled by Beings both mysterious and fearful. This story isn’t about common men or fishers or prophets, though. Every generation, six people are branded by the Beings and made Guardians over the elements—Water and Fire, Earth and Air, Life and Death. Those born with the brand are sent to the temple to train, to learn how to control the power they have over their elements in order to maintain the balance that makes up life.

The story begins with a woman who has been brought to trial. She has borne a child branded as a Guardian, but instead of sending him to the temple, she has hidden him away, kept him to herself. He is, after all, her child. Kieran has been marked for Death, though, and his power is too much for him to conquer on his own. When he is finally found, his mother hands him over without argument. She knows her time with her son is over. The elders sentence her to life in a solitary cell, fair payment for treason.

Kieran then is thrust into a life he neither wants nor understands. Most of the other Guardians—one is still missing—fear and dislike him. Only Amaya, the Guardian of Water and an empath to boot, accepts him without question from the beginning. Over the years Kieran begins to find his place among his fellow Guardians, and even learns to feel that the temple is his home, but he cannot forget what the “righteous” elders have done to his mother. More than that, he can’t forget to love the way that she taught him to. Guardians are supposed to live without tie, without emotion. Without love. A passionate person to begin with, Kieran simply cannot live under the conditions set for him, and the story comes to a head as Kieran and Amaya’s friendship turns into something much more—something the Code of the Guardians forbids.

Zerah’s Chosen is the first in what is to be a trilogy. The world-building is rich and absolutely superb—you know the minute you set foot into the story that this is a society that existed before you started reading. The characters are also fantastic. The story is mostly told from Amaya and Kieran’s POV’s, but all five Guardians we get to know are so fantastically diverse from each other that every time one of the other three are in the scene it’s a delight.

My personal favorite (as Isabelle well knows) is Phoenix, the Guardian of Fire, who has his own unrequited love for Amaya—something which I know is brought much more in to play in the second novel of the Guardian Circle Series, Zerah’s Offering, which isn’t quite available just yet, but I’ll let you know when it is. I’m lucky to have an advance copy, which I’ll be starting my read-through of… Oh, about now.

Booking Through… Saturday?

Okay, I’ve loved Booking Through Thursday since I first found out about it a couple of years ago. It’s a weekly question about reading or books that serves as a great writing prompt for blog posts.  Problem is, I always forget to do it. This year I’d really like to get used to the idea, though, and so I give you my first Booking Through Thursday prompt. Yes, I know it’s Saturday night. Give me a break.

What’s the largest, thickest, heaviest book you ever read? Was it because you had to? For pleasure? For school?

I have to admit, the thickest book I’ve ever read all the way through is probably Gone With the Wind. Mercy, even Middlemarch isn’t as long, and Middlemarch is 800+ pages. And if you’re curious, yes I read that one, too. All. The. Way.

Like many a girl before me, and probably (hopefully) many to come, I had a deep infatuation with Gone With the Wind when I was younger. It started with the movie. I’d seen it once when I was very small, but all I really remembered from it were the (amazing!) dresses and the fire. Oh, and Clark Gable. Because… he’s Clark Gable. *blushes*

When I was eleven or twelve I watched it on TV—on the WB, to be exact, back when the network still existed alone—and fell utterly in love with it. My mom would sigh and tell me how Vivian Leigh wasn’t her Scarlett O’Hara (I had to get it from somewhere, you know?) but I didn’t mind. I watched enthralled from the twins (Frank and Fred? Oh dear… someone will call me out on that if it’s wrong) fawning over Scarlett, through her dancing in mourning clothes and the Atlanta Fire (which nothing has ever compared to cinematically since, if you ask moi) to her declaration of Tomorrow being another day.

This was right before they digitally remastered the film and made all the colors brighter. I think I got that double VHS copy for Christmas that year.

And so, I read the book. Oh, that book. I remember bits of it so vividly. Rhett leaving her on the bridge… Scarlett beating her horse so that it got her to Tara, the thick, thick mist in her dream that was so much more oppressive than they were in the movie. Also, all of the extra husbands and kids that didn’t make it into the film version.

I would think about how Margaret Mitchell used the manuscript as a stabler for her kitchen table for years, something that appalled me as an already-aspiring author. How Clark Gable was afraid he couldn’t pull it off because he was a comedian. How he was actually who she pictured as Rhett Butler, which was completely amazing to me. I read the book twice, but I’d like to read it again someday… I wonder how different I’d take to it now that I’m all growed up and whatnot.

Other thick books I have read at least most of:

Middlemarch by George Eliot — As mentioned. I loved this book. It’s long and dry in some parts, yeah, but definitely a classic for a reason. You know how Jane Austen said that Anne Elliot from Persuasion was “almost too good” for her? That’s the feeling I get from Middlemarch, except in this case Dorothea is really, honestly, VERY good in every single way. Kind, pious, generous, etc. Somehow she’s not unrealistic, though. And she’s not immune to romance, either.

The Assassin’s Cloak: An Anthology of the World’s Greatest DiaristsI completely loved this book. I can’t say I’ve read every single entry, because it was for a class and I got behind a bit, but it has writing from so many amazing, brilliant and diverse people. I highly, highly recommend it.

The Norton Anthology of Poetry — I read through the first half of this (I think I actually read every poem) for a class. I wish I could have taken the second half of the class, but it was at the same time as another class I wanted to take more. I don’t know where my NAP (as I called it affectionately—though in all honesty, the content rarely made me sleepy) is at the moment, and that thought saddens me greatly, because it’s such a pretty book. I’d like to take it out and read it slowly.

The Complete Poems of Emily Dickinson — This… was also for a class. Are we seeing a pattern here? I re-read it just over a year ago, though, because that class officially made me a Dickinson lover for life. Every time I read an Emily Dickinson poem, I want to read a hundred more of them. She is that good.

A seriously thick book I want to read, which is sitting on my shelf just waiting? Jonathan Strange and Mr. Norrell. I’ve heard it described as a Harry Potter* for adults, complete with seriously awesome footnote** content, something Thursday Next novels have made me a complete geek for.

What’s the thickest book you’ve read?

*I suppose a couple of the HP books are long too, eh?

**I completely forgot this word for a good five minutes. Had to resort to Google to figure it out. Then had to head-desk.

New Spin on Vamp Books?

Or maybe I should say… books about vampires that I actually WANT to read?!

Because I DO. Oh I do.  There have been not one, but two vampire books that have caught my attention in the past couple of days that I just… want. Is it because they promise more Edward-Cullen-esque smolder?  Nah… I was always a Jacob Black fangirl, thanks very much. (Not that I don’t like Edward… I just get sick of him easy).

So why do I want to read these books?  Because I think they are a brilliant response to the flood of vampire books that have been well—everywhere. I did say flood, right?  Right.

Book Number One: Bloodthirsty by Flynn Meaney

Some vampires are good. Some are evil. Some are faking it to get girls.

Awkward and allergic to the sun, sixteen-year-old Finbar Frame never gets the girl. But when he notices that all the female students at his school are obsessed with a vampire romance novel called Bloodthirsty, Finbar decides to boldly go where no sane guy has gone before–he becomes a vampire, minus the whole blood sucking part. With his brooding nature and weirdly pale skin, it’s surprisingly easy for Finbar to pretend to be paranormal. But, when he meets the one girl who just might like him for who he really is, he discovers that his life as a pseudo-vampire is more complicated than he expected. This hilarious debut novel is for anyone who believes that sometimes even nice guys-without sharp teeth or sparkly skin–can get the girl.

————

O.M.B.

I think this is brilliant.  I admit, I was hooked from the first three sentences. SUCH a smart pitch! I would LOVE to read this book, and it is definitely on my TBR list.

Book Number Two: Fat Vampire by Adam Rex.

Doug Lee is undead quite by accident—attacked by a desperate vampire, he finds himself cursed with being fat and fifteen forever. When he has no luck finding some goth chick with a vampire fetish, he resorts to sucking the blood of cows under cover of the night. But it’s just not the same.

Then he meets the new Indian exchange student and falls for her—hard. Yeah, he wants to bite her, but he also wants to prove himself to her. But like the laws of life, love, and high school, the laws of vampire existence are complicated—it’s not as easy as studying Dracula. Especially when the star of Vampire Hunters is hot on your trail in an attempt to boost ratings. . . .

Searing, hilarious, and always unexpected, Fat Vampire is a satirical tour de force from one of the most original writers of fiction today.

————
I actually like the summary on the back much better, but that’ll do.  Again, a brilliant twist on vampire-mania. I saw this idea toyed with on the short-lived show Moonlight (Oh hai, second Jason Dohring TV show that cancelled on me way too soon.) (Bitter? Who me?) but this novel promises a much more in-depth approach to the idea of being fifteen and awkward… forever.  I was hooked at the tag-line: “A Never Coming of Age Story.” I couldn’t help but  think how poignant that was. A critic quote on the back of the book makes it clear that this isn’t just a satire, either, but a rich full story that’ll make you hurt and laugh. I so want to read it.
The thing that gets my goat? These ideas aren’t far-fetched or even particularly ground-breaking. What they are, are great examples of taking something that’s been done to death (or undeath, if you will! I’m all about the side-comments tonight, hm?) and spun them on their head, attacking them from a different, original angle. Something not like the piles of vampire books that line the romance and YA shelves at Barnes & Noble.  They don’t just make a mockery of the genre either, though… they’ve found good, legitimate reasons for hitting a subgenre from the side and turning it into something new. And I think that’s brilliant.

Reactive Reading

My husband has started reading the first Fablehaven novel by Brandon Mull, which is one of my favorite series, ever. Probably my very favorite kid-lit series (I’m not counting Harry Potter here, he’s in a realm of his own). Fantasy like you’ve always wanted it—scary at the right times, but always uplifting and full of awesome heroics. (Not half so emotionally dark as something like The Spiderwick Chronicles, either).

Anyhow, back to my husband. Now, I read pretty intently. You sit me down with a good book and I’m glued to it. I don’t want any interruptions if the book is really good. When something shocks or worries me, I probably gasp or widen my eyes, possibly clench the book closer to me, but really I’m still all alone in my little world—or rather, I’ve forgotten myself entirely, because I’m so deep in the world I’m reading about. And I’ll admit, sometimes I don’t want anybody near me when I read. When I read Harry Potter and the Deathly Hallows, I shut myself up in my room for three days, only coming out when it was absolutely necessary.

My husband on the other hand, has sat next to me while doing most of his reading (I’ve been reading too, but mine is a mix of business and pleasure), and he reacts vocally to what he reads. He’s gotten incredibly frustrated with one of the characters—Seth, if you’ve read the books—and has vented that frustration loudly to me. I’ve read all but the last book (I really hate for it to end, so I’ve been prolonging it. That, and I was getting married, so I was a little busy) so I love Seth, despite his rash ways that always lead him into trouble. I tried pointing out that he didn’t know what he was doing in a lot of the scenes that irritated my husband so much, but he would have none of it.

I honestly love it. I think his reactions are great, and I really should have expected nothing less, as my husband’s personality could never quite be mistaken for quiet, like mine. Anybody else seen someone read so reactively?  Do you, by chance?

P.S. I’m really excited to watch as he reads the rest of the series. The Fablehaven books just get more and more awesome as they go, and his reading them makes me want to reread them. And okay, finally finish the series.

P.P.S. The Jayne icon is the closest I could find to relay the obvious reactions my hubby’s been having, but on a sidenote, I’ve gotten him watching Firefly, too. We’re about half-way through the series now. The hooks are in. He’s caught.

Carving time to Read

I have been a horrific reader of late.  If I’ve been reading anything, it’s been blog posts and news articles, stuff to critique for my writing group, or stuff for work.  I’ve also been reading a lot of tweets, which really, really do not count.

I made the goal again this year of reading 52 books in 52 weeks, but it’s over two weeks into the year and I haven’t finished a single book.  Then again, I also haven’t been giving myself any time to read.  I’ve been trying pushing myself so hard when it comes to writing, getting all my freelance stuff done and trying to get novel-writing time in also, that I’ve been sapping myself of my best source of inspiration—great books.

A lot of writers (as I’ve been reminded these past days, by reading their blogs) feel that reading is a part of the job.  Maybe one of the most important parts.  A lot of writers also mention that (like me) they feel guilty if they spend too much time doing anything that isn’t writing, and reading falls under that category—but they also realize that it’s to their detriment.

So I’ve decided something that might be very hard for me to do.  I’m going to let my weekends focus on reading.  I’m going to give myself my weekends to bury myself entirely in books, if I want to.  Let myself read as much as I want.  Actually give myself a chance to hit my reading goal.

I’m also planning on starting a regime of waking up at six in the morning to write, starting tomorrow, so that I have a set block of quiet time to work on my more creative endeavors.  Maybe as I get into the swing of things, I’ll be able to incorporate reading back into my schedule in a more normal basis, but we’ll see.

***

Japan update: In case you don’t know, I’m attempting to go to Japan this Spring/Summer with my husband if possible.  I’d be teaching English.  I’m applying all over the place, but only really seriously the past few days.  I’ve gotten two reply emails so far!  One “please send us this completed questionnaire!” that seems very encouraging, and another that wants me to reapply for their Summer term.  Wish me luck that my continued attempts go well!

Productivity tastes good.

Lately I’ve been trying to change the way I do things. The fact is, I’m kind of a workaholic, and when you’re a creative type working from home on either a self-employed or freelance basis like me, that can mean that you’re working ALL THE TIME. Do things get accomplished that way? Sure. But when you have a never-ending to-do list, it starts to feel like you’re never going to catch up.

And so, I’ve started making daily goals. Or rather, one or two big, specific goals for each day. Once I have those specific things done, I can count my day as a success. Anything else I get done is a bonus, and if I don’t get anything else done? I still had a good day.

Today I managed the two articles I was asked to write, along with listing a new item in my Etsy shop. (And blogging. See?!) I’d hoped to finish some music reviews I need done by the 15th, but that will be tomorrow’s big goal. Now, I’m going to snuggle up with my husband… or a good book. Whichever one is feeling more snuggly at the moment.